Mr. Monopoly is flying like Mary Poppins dropping $$
Type: Street Art
Artists: Alec Monopoly, Cromeface
Details:
Wall📍Location: [between the train tracks in the borderline of Wynwood]
Featuring: Mr. Monopoly flying like Mary Poppins with a black umbrella dropping $$ and a bandit wearing an MSG* Jacket looks at him holding a bitcoin money bag.
Neighborhood: Wynwood, Miami Art District
How to find: between the train tracks in the borderline of Wynwood], across the street from Kush by Lokal
Mr. Monopoly is flying like Mary Poppins dropping $$ golden coins and a bandit wearing an MSG Jacket looks at him holding a bitcoin money bag and tossing a gold coin with his left hand. The bandit is looking up at Mr. Monopoly with glasslike orange eyes and a question mark. The bandit is not taking all of the coins and Mr. Monopoly is not worried of dropping them.
You can also spot some other interventions in the same structure. Atomik did one of his smiley oranges, Sons of Narcos, SAUT | Wynwood | photo by Nadia Bouzid
Rich Uncle Pennybags aka as Mr. Monopoly is flying like Mary Poppins holding an open gold coin bag
Artist: Alec Monopoly |📍Neighborhood: Wynwood |photo by Nadia Bouzid
Mr. Monopoly flying like Mary Poppins holding an open gold coin bag
Artist: Alec Monopoly |📍Neighborhood: Wynwood |photo by Nadia Bouzid
Wearing an MSG crew jacket, the bandit looks mischievously at Mr. Monopoly with crystal looking orange eyes, tossing a golden coin with his left hand, and a black Bitcoin money bag with his right hand.
A Bandit wearing the MSG Jacket. | Artist: Crome
This Bandit character is signed by CROMEFACE, in an “ALECdripping/style” 🤷🏼♂️
Miami MSG cartel in the news
Monopoly's mural, adorned with symbols representing opulence against this backdrop, ignites discussions about the repercussions of gentrification on communities. It accentuates the stark disparity between the neighborhood's historical struggles and its present incarnation as an artistic nucleus. His art feels paradoxical, nestled amid the evolving scenery, challenging the appropriateness of flaunting signs of affluence within a community grappling with profound transitions.