Amy Bessone’s Eunuch and Faust look like portraits, but the two strange figures are not quite what they seem. Painted in 2008, they belong to an unusual cast of characters drawn from images, objects and art history.

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Some works ask to be admired. Others ask to be understood. Casa Tomada by Rafael Gómezbarros was one of the rare installations that stayed with me long after I left the Saatchi Gallery. It wasn't simply the scale of the work, but the uneasy relationship it created between architecture, memory, and the people who quietly inhabit both.