Flotsham & Jetsam was commissioned by Design Miami after receiving the 2016 Design Miami Visionary Award. Its purpose was to create an environment at the gateway to Design\Miami exhibition.
Title: Flotsam & Jetsam
Design: SHoP Architects
Location: Jungle Plaza, Design District
Developer: Craig Robbins
Technique: 3D Print using Cellular Fabrication technique + biodegradable bamboo mediums
The installation is Coated in copper automotive paint
Read MoreLocation: Paseo Ponti [Design District]
Artist: Ronan & Erwan Bouroullec [brothers]
Nationality : French
Name: Nuage [organic pergola]
Type: Outdoor Installation
Read MoreBy: Andre Herrero and Adam Charlap Hyman
> NY\la design + architecture firm [ Charlap Hyman & Herrero]
Named White Rain after the first recorded snow storm in Florida in 1774
Material: Reflective Silver Tinsel
Wrapped around over 300 Trees
Read MoreGareth Nyandoro was born in 1982, he lives in Harare, Zimbabwe
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Displayed next to 75 other works by the artist in a retrospective called “Charming Journey”
"Tamasha" makes us recall Hanuman Langur*, which served as the model for the popular monkey god Hanuman that appears in the Ramayana. However in reality, the inspiration for N.S. Harsha came from a lonely monkey sitting on a drainpipe watching the construction of Harha's new studio. At the same time, it refers to the European myth called Ratking phenomena, which somehow the group of rats have their tails mingles and caught up each other.
Read MoreThe monorail station at Crystals at CityCenter, in Aria Resort, Las Vegas
Read MoreCommissioned by The Serpentine Gallery, Bertrand Lavier has crafted a charming fountain using garden hoses. In this imaginative project, Lavier showcases his unique ability to turn everyday items into art, challenging traditional notions of artistic expression.
Read MoreEntitled Casa Tomada, 🐜 the work makes a very particular reference to a short story by Argentine writer Julio Cortázar, in which the inhabitants of a large mansion become invaded by elusive presences announced solely by muted sounds. In the context of these public art interventions, the metaphor reminds the viewer what Cortázar himself declared shortly before passing away: unless a country buries its dead, they will always be remembered as ghosts in the attic.
Text © Gabriela Salgado via || Saatchigallery.com
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